10
Aug 17

Nikkor 16-35mm f/4G ED VR Long Term Review

I have been using this lens as my go to wide angle zoom since 2011. I own many other Nikon mount lenses yet continue to use this lens because it is has outstanding build, sharpness, rendering and value. Wide angle lenses are a Nikon specialty and the 16-35 f/4G ED VR is a fine example of that tradition.

The 16-35 f/4G ED VR was announced in February 2010 and was originally intended to be used for travel, architectural photography and photojournalism. It is a full frame G type lens featuring a metal barrel and weather sealing consistent with Nikon’s professional series of lenses. There is a rubber gasket on the rear where the lens attaches to the camera via the Nikkor F bayonet mount. The lens is 3.2 inches (82.5 mm) in diameter and 4.9 inches (125mm) in length. It weighs 24 ounces or 680 grams, has internal focusing, and a constant f/4 aperture with 9 rounded blades. The VR II image stabilization gives up to 2.5 stops of increased low light hand hold ability.

Venice, Italy. 2017. Nikkor 16-35 f/4G ED VR and Nikon Df.

So how does the lens feel and function? It’s comfortable in the hand and balances well on both the D810 and Df bodies. The AF-S autofocus is smooth and reliable while autofocus speed is average, a lot of this depends on the camera. I don’t shoot fast moving sports or wildlife so I can’t tell you how fast it would be on a D5 or D500. The VR II works great and I love to shoot it in dim interiors and low light. The f/4 maximum aperture is plenty for a full frame wide angle lens for it’s intended use. I own the 24mm f1.4G and rarely if ever shoot it wide open under those conditions and if I did need that particular rendering and shallow depth of field, the 24 is the lens I would use. I might also take along a tripod, but that’s a different style of shooting and defeats the purpose of having a stabilized wide angle zoom.

Paris, France. 2017. Nikkor 16-35 f/4G ED VR and Nikon Df.

For the sake of argument let’s take that f/4 maximum aperture and apply 2.5 stops of increased hand hold ability, f/4  f/2.8  f/2  f1.4. We end up at the same place. The f/4 with VR II has the same low light hand hold ability, under the same circumstances as the f1.4 prime. The question you have to ask yourself is “what are you trying to say with your photographs?” Which lens better suits your intended purpose under the conditions you intent to shoot?

Tomb Raider, Cambodia. 2017. Nikkor 16-35 f/4G ED VR and Nikon Df.

The 16-35 f/4G ED VR is a walk around lens, it’s designed for shooting on the move and in this role it functions very well indeed. I’ve used it extensively for travel, architecture and street photography. In low light, no light, crap light, in the dust of the Sahara desert, on moving boats, in the rain, the back alleys and jungles of North Africa and India and just about everywhere in between. The lens just works and does what I want it to do.

Toymaker, Morocco. 2017. Nikkor 16-35 f/4G ED VR and Nikon Df.

Because I travel and photograph often under adverse conditions I value the fact that this lens is weather sealed and can stand up to heavy use. Are there better lenses on the market? Sure, I have access to several superb Nikkor and Zeiss primes, but then I’d be changing lenses more frequently and carrying more bulk and weight. The value of a rugged sealed zoom is that I don’t have to swap lenses and expose the interior of my camera to all the environmental junk that can foul things up. Certainly there is a time and place for gorgeous primes but I try to pick the appropriate tool for the job at hand.

Venice, Italy. 2017. Nikkor 16-35 f/4G ED VR and Nikon Df.

The 16-35 f/4G ED VR has a 77mm filter diameter. I always use B+W XS-Pro UV filters on the front of all my lenses. The only other filter is use is a B+W XS-Pro Kaesemann Polarizer. I have two of them in different sizes. I have not had any vignetting issues on this lens with the XS-Pro filters.

All images in the post are hand held available light photographs.


23
Jun 17

Motor Scooter Monks, Cambodia

Buddhist Monk. Cambodia, 2017.


17
Feb 17

Comprehensive Long Term Nikon Df Review

Kind of Blue. Essaouiria, Morocco. 2015. Nikon Df, Nikkor 16-35mm f/4 ED VR, ISO 100

I’ve decided to take all of my experience of using the Nikon Df while traveling around the world and using the camera in all conditions and turn it into a comprehensive long term review. This review will be updated with information and photographs and real life use as I continue to use this lovely little camera. This camera is becoming more prescient especially when we consider that Leica M10 2017 = Nikon Df 2013.

The Nikon Df article is here.

 


23
Nov 16

The Fog Drinkers, a Redwood Interlude

It’s difficult to capture the majesty of the forest. Forests feel different, magical, and the air makes you feel alive in a way that very few things can. Coastal Redwoods derive much of their water from fog droplets, may live as long as 1800 years and grow upwards of 350 feet. Stand among these ancient trees and you can almost feel them breath and hear their whispers in the wind.

Redwood. Arcata, California. 2015

Redwood. Arcata, California. 2015

Leaves. Arcata, California. 2015.

Leaves. Arcata, California. 2015.

Fronds. Arcata, California. 2015

Fronds. Arcata, California. 2015